8.3.10

– Amanda Palmer cover of Steel Train’s “Behavior”

Nature’s Nurse
by Janine Kamouh

White noise.
A womb hum.

Wraps ‘round
my ears like a warm,
down sedative.

Eve’s flashlight
glows buttery
in a burnt toast sky.

Picture it
like a science experiment.
Dark chocolate milk
peppered with dyes
and I’m dropped in
like some clear soap.
Red, yellow, blue
dissipate
tessellate into the shape
of liquid comfort
until I can almost taste my trip
into that dark racing train cab.

A flash forward fall
and pre-sleep kick in the back
and I gasp
and the sounds of slumber are blowing around my body,
and they’re cool
and they’re steady.

A marble cake of sensation
slides down my throat once more –

Until I’m catatonic
melodic
comatose auto-erotic.
Until I’m not.
Until my nightshades are full
of pancake batter
that pour from their presses
and my fingers push
phosphene suns into
my gasping retinas.

Until Adam has pushed Her
into the baby’s
room for her
7am feeding.

[Inspired by: Earl Reiback  Lumia Aurora - American (1948-2006) Circa 1970]

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7.20.10

Streetlight Manifesto’s 99 Songs of Revolution: Volume 1

A Tasty Review by Colin Pepper

^Listen while you read!^

I am biased and therefore should not be writing this review because I am a super Streetlight fan. For my money it doesn’t get better than songs like “Failing, Flailing” or “Receiving End of it All.” So here is a biased look at the album.

I took the advice Tom Kalnoky gave at the last Starland show they played and illegally downloaded the album. It’s the first installment of nine cover albums they intend to release. That in mind, here is a play by play.

The album opens with a cover of Mason Jenning’s , “Birds Flying Away.” It starts the album off on a sort of folkishly whimsical tone with a western twist that soon blends into Streetlights own mix of heavy guitars, quick strumming, with horn solos and such. All in all it’s a good Streetlight take on a Jennings staple.

From the fad out of “Birds Flying Away” you are greeted with their take on the Squirrel Nut Zipper’s 90’s swing revival hit, “Hell.” They speed it up, mix in more energy, and ska it up, what’s not to love.

Then they go bold. They take on Radiohead’s “Just” from my favorite Radiohead album, the Bends. This is one of the most interesting tracks on the album because they manage to take a Radiohead song, inject some ski, yet keep it Radiohead. They turn the guitar solos into horn solos. YOU READ ME, they make the horns sound like guitars. Blows my fuckin mind.

They follow up with Bad Religion’s, “Skyscraper.” I am not, nor have ever been very interested in Bad Religion. However, this cover made me enjoy the original better. Not to say that it wasn’t a good cover, but in comparison to the other songs on the album, this cover doesn’t have the Streetlight element I enjoy so much from them. They slowed it down, took out the heaviness, and transformed it from an aggressive song you put a brick through a Starbucks window to, into a dancing feet anthem you drink a Pina Colada to. It doesn’t knock my socks off, but doesn’t make me want to vomit. Good, not great. On the upside, this cover definitely prompted me to download Recipe for Hate, which is a good thing.

Track 5 I praise for cover choice. The covered the Dead Milkmen’s, “Punk Rock Girl,” and I love them for it. It maintains the funness that both Streetlight and the Milkmen encompass so well. This songs is the fine wine or aged Cognac of the album because it compliments both coverer and coveree.

The best track on this album is their cover of NoFX’s immortal punk anthem, “Linoleum.” I took it as a sign of solidarity from Streetlight to all of the other kids who grew up in Jersey suburbs listening to PunkoRama’s and going to shows at Birch Hill (RIP) and club Krome (RIP). It’s an ode to the days when Warped Tour used to be in Asbury Park, and summers were spent on skateboards. I would talk about how they play the song but I’m holding out for the two or three people who read this zine to look it up and be dazzled for themselves.

After being faceblasted with “Linoleum,” you are beamed to the playfully thoughtful cover of Paul Simon’s, “Me and Julio Down my the Schoolyard.” They keep the speed of the original, and tone up the weight. The increase in heaviness definitely rubs off aspects of Streetlight into the song without being overwhelming. This is a song you wanna eat ice cream to.

The next song is a cover of Kalnoky’s side project, Bandits of the Acoustic Revolution (BOTAR). If you haven’t heard them, download them now. The song is called, “They Provide the Paint for the Picture-Perfect Masterpiece That You Will Paint on the Insides of Your Eyelids.” The cover is less of a cover and more of an excuse for Kalnoky to convert the song from its original acoustic version. But that’s not a bad thing, because the song more than holds its own.

“Red Rubber Ball,” originally recorded in 1966 by Cyrkle, co-written by Paul Simon. Actually if you YouTube the song name you can find a really good live version of the song by Simon and Garfunkel played at Lincoln Center in 1967. Streetlights version is much more theatrical than its counterparts. There is a lot going on in this song, compared to its counterparts. I think this cover is more of an interesting choice than as a cover.

The second to last track on the album is an ode to Jazz. It is Louis Jordan’s, “the Troubadour.” You can tell by listening to this song that the band had a lot of fun in the studio recording it. It trails on as if they were playing a live show, and for the second to last song you couldn’t ask for more. It is such a fun track that you cant help but smile while listening to it.

The last song is probably the most creative choice on the record. They cover the Postal Service’s, “Such Great Heights.” It opens with the horns section mimicking the “synthtro” of the original version and like what they did to the guitar solos on their cover of “Just,” they do to synth, and magnificently. The up tempo speed and peppy singing by Kalnoky are sure to turn rude-boys and girls all over Jersey into Postal Service fans.

This record is an instant hit in my book. In summation, if I could eat this record, it would taste like a cheesecake. D-Lish baby.

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6.28.10

"About Saul" by Kevin Dixon

*Click the image and enlarge!

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6.27.10

photography by Alexis Canary

Thoughts About Stuff: Keeping your ears peeled in public.

I’m nosey. Lately I’ve been struggling when it comes to taking part in conversation in public places because I’m too busy listening to the chatter of those around me. I’m always listening. Even if I don’t know you. ESPECIALLY if I don’t know you. I’m a collector. I’m a real life Harriet the Spy. I love catching people in their least self-conscious forms and taking notes. ..So I stare strangers. Call it creepy, call it weird, but I love to collect words and phrases, and when you read the gems I’ve compiled, you’ll be glad I have.

Something delicious I’ve picked up as of late… Summer weather turns (intelligent) people into cliché geysers. But these aren’t just clichés. These are clichés that have either been adapted for some personal effect or made completely void by lack of knowledge of what the cliché actually was in the first place (which is my favorite type of cliché delivery).

So sit back, relax, and enjoy the crap you probably said and didn’t know I was writing down.

“When life gives you lemons man…you know.”
“It’s seriously way hotter than a crotch out here.”
“I’m caught between a hard and a rock place.”
“It’s like… he wants his cake… and he wants to eat it too. And he can’t”
“You just have to choose and pick your battles.”
“Don’t look at a gift horse.”

God Bless You, America.
Janine

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5.31.10

Something of Substance

by Patrick Danner

Darkness then light.  That’s how it works.  The wrenching back of Harold’s eyes each morning, the intake of light and the instant sensation of feeling again, his body heavy on the couch, remembering that feeling from nights past when she, propped up on her elbow, crow’s feet forming in the corner of her eyes, more prevalent when she washed the make-up out, leaning over him engulfing him in her gaze and…

He sighed, swung his legs clockwise off the couch, fully cognizant of the force it created on his body, rubbed his eyes and straightened up, his boxers coiltangling around his genitals, pulled the heavy yellow afghan off his lap, the weight of it comforting and warm on his thighs and slid his feet into his elk-hid slippers, the lining providing no warmth, but comfort, leathery and softly welcoming so that, if he could say it, Harold would try to compare it to the softness of her voice, allowing the New England accent, terse and calming–

His watch alarm sounded minutes after he woke, the subtle tweeting that accompanied the tings of the hot water heater reminding Harold that it was already 10 a.m., and now Tuesday, and that Lester was due soon with the groceries, inevitably stumbling apishly up the stairs, carrying bags upon bags in his greasy arms, the sweat of his pocked pubescent brow seeping into the brown paper bags causing the edge to wilt–

A door slammed.  Clack-boom.  Around the corner.  Studio. The coldness that permeated from Harold’s frozen fingertips inward now reversed itself, starting from the core of him and crawling step by step outward.

He shuffled, thin arms pulled to bony chest, cool breeze up the legs of his boxers, around the corner to the door, his feet settling again toward the back of their respective slippers, soles moist against elk-hide, now, and a cool breeze caressing the gnarled hairs atop each… but from where?  From underneath.  A fine grain of elk-hide nestled between his toes and he eyed the space between the floor and the bottom of the door, the faux-brass lining where tile meets carpet, the two-inch gap, now bright, already a few hours past sunrise, and a gap in which at that moment Harold saw it: the motion of light.  Shadows cast by swaying curtains.  Swore he heard for a brief second the slight wind falling through a gaping window…  His face went warm and he took the knob in his hand and startled himself at the sound of the mechanism moving in his grip, the crunch, echoed in the hollowness of the door, a light crunch and rattle of screws and bolts against the thinnest steel and his lungs froze as he turned the knob ever so slowly, listening for a rustling of feet scampering across the filthy blue carpet inside toward the ledge of the bay window, the clap of shoes dropping from the second story to the sidewalk below, but only ever the pained torque of the knob, the faint flatulent squeal as his moist grip slipped on the knob just briefly.  The push of the wind against the door as he released it and allowed it to blow backward.

The window agape.  The studio empty.  An emptiness struck before he turned and saw a vacancy left by a single portrait.  One of forty-seven.  All original.  Disparate.  All one woman.

His stomach deflated, immediately knowing precisely which one it was, the emerald green dress, the way her hair, straight and red and clasped back away from her face, the straightness of her lips and their complimented furrows around them, forming into inactive dimples, the impeccably consistent yellow-green eyes, the right one having the yellow cut across the middle and shown best in water color– the arrow, he imagined it, into the bridge of her nose– the one where, as he remembered, he caught the light perfectly… a day when no one would believe the rain for the lack of clouds… where the light seemed to push itself through the window frame voraciously, yes, voraciously, and cling around her neck, cupping her face as he tried to capture it… pale freckled long neck underneath a heart-shaped…

And now vacancy.  A blank space from where she had been stolen.  Not blank so much as darkened by the lack of light hitting it.  He shuffled halfway, to the center of the room, the spot on the wall ingraining itself in his memory and searching for a partner, the darkened blue behind it, the original color of the room, closer to a coral blue instead of what was now the hue of the walls, a grayed Egyptian blue, his throat oscillated opened and closed, unconcerned with the rhythm of his breath, and, as if a sudden ear infection set in and his balance jerked to the right, he staggered left and shuffled toward the vacancy, knocking into his easel, the centerpiece of the near empty room, kicking a leg out from under it and having it collapse like a stunned animal onto the carpet, and the palate, once resting lazily in the canvasless easel, over-turning with near dried reds and oranges, untouched since last week; and the clack-click and collapse of the easel jarred his nervous system, his jaw tightened, and he heard himself gasp the yelp of a mouse, and his lungs held taut in resistance but nearly immediately the threshold broke and he fell into a rhythmic sobbing… and he failed to hear the thrust of soft flesh atop hard bone, shouldering barbarously the front door, the awkward battle-march of oversized feet up the old, creaking steps, or his nephew’s voice, cracking and strained, gruntbreathing a hello.

“I’m here Chickenlegs!  Sorry I’m late.  I mean, only five minutes.”

Harold left the door open to the studio and a grayed winter sunrise cast his shadow–now elongated, popping forward and back with each wrenching, emotional jerk–to the doorway, to his view and he heard Lester stomping about the tiles, the weight of each step exacerbated by the boy’s posture, hunched and miserable like a soldier shamed and blind and in retreat.

Lester had to pee.  Looked for Chickenlegs.  Walked away toward the meats.  Stared down the dual brown bags.  Slackjawed.  Stared.  The pressure of his bladder pushed outward.  Wondered if this is what a hernia felt like.  Swooned momentarily over the meats.  Bratwurst and ground beef.  Two huge sirloin steaks and six pork chops.  In his mind saw himself with the plate in front of him.  Still steaming.  The smoky aroma, faintly still of blood, stroking his nose with the soft hands of a woman.  The grease of the bratwurst running into his nascent neck-beard and solidifying.  Sitting there until Thursday when mom would make him shower.  Warmth of the water as he jumped in dry.  Glasses still on.  Avoiding soap or shampoo but letting it rush the grease from his body.  Through pimple-pocked shoulders and down his back.  Heat from water to flesh.  Chills then smooth.  The cold dissipating from outward in.  Naked flesh.  Like a woman.  He reached toward the bags and squeezed against the doughy bread.  Cracklerack of brown bag crumbled in his ears.  The resistance like a breast.  Blushed alone in the kitchen.  Heard Chickenlegs shuffleuffle ‘cross the carpet.  Stop.  Uncle H.?

Harold, inside, felt himself sigh the name Sally, Sally, between seizing breaths, grayed bangs falling into his eyes, being defined more clearly to him as the sun climbed further, further toward winter zenith, realizing now how they obfuscated the view of them, the portraits, going from most recent to oldest, bay window to door, some crooked and collecting dust– he never dusted them–; he heard it in the floorboards when the ape Lester stamped heavy on his heels erratically to and fro and he felt him stare at the back of his head, judging his pantlessness, his legs pale and gaunt like the faces of nauseous funeral attendees, his thin frame and unkempt hair.

“Hah hah!  Glad to see you still have Chickenlegs!”

Harold stayed silent.

“Are you ok Unc–”

“Gone,” he whispered.

Lester arched an arm to the back of his head.  Dug nails beneath greasy hair.  Scratched.  “What’s gone?”
Continue reading

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5.9.10

"Maze" by Matt Goold

Asleep

by Erica Feliciano


Falling… falling… falling then Simon’s voice in my ear, telling me not to say anything, telling me to wake up. To follow him.

It was dark, my eyes tried to focus but Simon grabbed me to my feet and we started running through the dark, I followed his lead and the sound of his feet.

Through the bathroom that connected our rooms, into Simon’s room where he grabbed something. We stopped in front of the back door, he was trying to open it. He couldn’t. I heard muffled voices.

He started to sob, it startled me. I knew that it was absolutely important that we get out of the house so I crouched down next to him and felt for the door our dad had just put in for the dog we were going to get.

We crawled and I felt the warm breeze through the flap in the door. We crawled out into the backyard. I could see the porch lamp was still on… they were still out, what time was it?

I saw Simon dash towards the other side of the backyard. The tree house. I ran after him, we climbed up the ladder and locked the door under us. We both stood there catching our breath and I wondered how long those people would be in our house, what we would do in the meantime and prayed they’d leave before our parents got home.

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4.27.10

"Attempt" by Kevin Dixon

One Girl, One Time, One Night

by Myke Melcone

Blee-bloooootftftftft, the train stutters open and I step onto the platform. Tompkinsville is such a shitty neighborhood that I’m almost excited to be here.

I stop my chest from jumping at the sight of the glowering crowd gathered at the top of the stairs.  I take steps two at a time so I’m out of breath already.

They’re waiting for the next one.

I pace my step.

Lucky I’m still laughing about this guy I saw. They look or don’t but I feel their gaze.

He was a comically muscular guy in a suit tailored for his stocky body.  Doubtless no standard issue could fit this particular, but cocky people entertain me.  He swaggered grandly into, um – “Unlucky Cat.” – that’s this cheap Chinese buffet that’s open all night. He figured he was hot so he started hitting on his waitress, a cute little number, after realizing his elegant entrance was enough to take everyone from their meal. People reacted. Some scoffed, a few ignored him or tried to.  The waitress spoke with him uncomfortably about the menu, torn between her job and her instinct.  He projected, loudly, ran his mouth about his business and what he called his ‘seasons as a father.’ People thought he was crazy, but for all we knew he slept good at night. I realized that I had to start making entrances.

Anyway, the crowd with caps and hoods hiding their faces watch but don’t speak. I know how they mark. They yell you over and wait for you to ignore them. Then they follow. I know they won’t fuck with me. I looked too comfortable. I walk down the hill and don’t even exist anymore.

It gets quiet. The station disappears behind a brick corner.

The cold shows my breath when I’m under the orange streetlights, so I breathe hard each time I come out of the dark. Condensation’s always charmed me.

As I begin a tredge uphill, I see road signs and traffic cones wrought out of shape. You could count the stuff not hit by cars in this neighborhood.

A tired man is closing a takeout place with a title sign so dirty you can’t read the phone number on it.

I look above the store at the rows of windows and wonder which one my friend lives in. I think it’s further.

I wiggle my chin into my collar and then tuck it to my chest. Then I hear a voice and look up. Continue reading

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It’s a BLOG!

photography by Alexis Canary

Travis and I have just given birth to a new baby. At 20 pounds 4 ounces, we are both relieved that Comb is out in the world and breathing on its own.  But seriously, it has been a long time coming and we’ve decided to set this thing free.

We’ll be posting your submissions primarily on the site, leaving it as an open forum for discussion. We’re going to pair up as much material as artistically possible to promote this idea of free-form collaboration, as there is no better inspiration than peers with passion.

The plan is to compile the posted submissions every six months to print a physical copy of the magazine through MagCloud.com, with a fully fabulous layout, and hopefully some kind of delicious narrative thread.

Please send everything to us; from comedic one liners to comics to short stories to mix tapes to videos (no pornography preferred, please). We want to unearth your artsy gems that would otherwise collect digital dust.

To kick things off, here are links to two of our contributing artists. They are incredible, and will give you a taste of what we want to showcase and embrace!

Matt Goold’s Blog

Kevin Dixon’s Blog

A big THANK YOU!  to Alexis Canary for sharing her photography with us. She has the uncanny ability to combine industry, nature, and whimsy to create dream-like images that will twist your brain. Stay tuned for more from Alexis!

Comb on and send us something… GET IT! (<–There’s a lot more of this to comb.) – combmag@gmail.com

Forever Your Wordsmith,
Janine

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